Breaking The Shadows…of Your Crimes!

Read to the end for a very short example of copying from M.W. Wolf’s work sent to the fake writer’s agent.

 Beehave!

You know it’s a fill in the gap jobbie from someone else’s synopses (M.W. Wolf’s) when:

1.       The fake writer doesn’t understand the sensitivity of the themes and the emotion is dead.

2.      All the plot points and beats are direct copies and shit nonsensical adaptations of unique ideas harbouring deep trauma and complex messages.

3.      Its full of cardboard throw away characters who just happen to be there and just happen to do everything the protagonist wants and also have the very rare skills, expertise and experience that the protagonist needs at that very moment, without any backstory built-in or reason to have said skills. Like, hey my next-door neighbour who isn’t really a part of the plot can do all of these very weird and skilful favours I need.

4.      Side characters have the very same names of many of the characters of the synopses which the fake writer stole and probably fed into an AI text generating tool.

5.      You merge many of my ideas and don’t fully explore any of them, so you have a colluded caldron of cold soup. Like its this, and that, and this and a cat and but this lady reads minds, and I haven’t got a fucking scooby doo.

6.      All of the vivid descriptions are directly lifted with very little change, from my work, word for word. Many of these were taken from Mississippi Sleepers by M.W. Wolf, which had a moody atmosphere and a slightly more literary style of writing.

7.      Whole sections map over whole sections of my work.

8.      You quote bridges from my query letters as your inspiration but change this in interviews.

9.      You flap and delete the post of your book’s launch day in the US, because you knew that I’ll find out that its a copyright rape case.

10.  You winced when I come onto the live feed to listen to your lies, because you know you are being found out.

11.  You make snarky, unapologetic remarks in posts after knowing you have been found out and quote my website as how you came up with the idea, then back track.

12.  You change a few details and think no one will notice, like honey to cream. Your characters are literally cardboard cutouts of mine, with different names. Debra for instance.

13.  Your set and setting is copied with a few changes, like Soho London to Soho New York.

14.  You admit in interviews that it went down something like I’ve already explained in my blogs, after I’ve called it, down to the wire.

15.  Your interviews differ in your stories and to what you have posted to me, because you’re talking bullshit. I could cross-examine you without legal help and without preparing and I’d turn this horseshit show inside out.

16.  Your agent had my work, the final copied and stamped on samples shortly before you were commissioned to write this story.

17.  Your agent has already copied my work and it was being monitored. I’ll drag every infringement out in courts and in public.

18.  IP addresses have been tracked, and noticed accessing my stuff and taking an interest as my site was being constructed, before I called you out on your Copyright Infringements.

19.  Digital Forensics are being consulted as we speak.

20.  I have dates and times of every word you have stolen.   

21.  I will show, without any doubt that this book is a mashup of my work, shared in confidence and trust, with your agent, and you and your agent have both abused this position of power and influence to directly steal from a disadvantaged, disabled and struggling writer, with mental illness which has been shared with the agent many times. This is deliberately taking advantage of a position of power and influence over a vulnerable adult. This is potentially prison time.

22.   Let me tell you this for free. I will get results, I promise that! This abhorrent, filthy and systematic abuse of my intellectual property will be rectified, cleanly and quietly, or… messily, publicly, very expensively and very stressfully for all parties involved.

23.  The way this plays out depends on how you and your agent and the companies involved approach this.  

24.  I don’t want excuses; I know why you did it. I will not stand for denial and lies. If you want to go down that road, the snowball will be rolling downhill growing into an avalanche very quickly.

25.  I was very hurt by these crimes, this is shitting on my 10 years of hard work and trauma writing during an extremely difficult period of my life and a period of financial hardship. I’m dyslexic so these books don’t come easily, I work tirelessly and ache from many injuries during the process. I looked up to the agent and respected him very much, I even turned a wink to lesser infringements and monitored them, but I was further outraged by the way the fake writer first responded to being caught out in posts. I admit, I got very upset and stressed about this and blogged about it. This was driven by hurt and psychological damage caused.

26.  I’ve made mistakes in the past and I’ve had a traumatic life, if you try to use these vulnerabilities as weapons of abuse or to gaslight or for logical fallacies, I will be opening discrimination of protected characteristics cases against you and things will get messy.

27.  Don’t take any of this as threats, I don’t wish to harm you. They are warnings. I’m trying to come to the table and give you a fair opportunity to put your mistakes right.

28.  What on earth were you thinking? How prevalent is this, and do I need to bring up all of your past discrepancies?

29.  What a fucking mistreatment and waist of a fantastic opportunity for a writer to actually write for a massive company like marvel.

If you think I’m playing, here is one tiny example-

On Wed, 24 Nov 2021 at 18:24- I reshared some samples / POV short stories of Bloodborg: The Harvest with your Agent. Here is a tiny sample:

The Fetal Sapien Serum dispenser buzzed.

Fake writer changed it to- “a dull drone in the room deep rumble… Rows of tiny glass bottles of blood.”

‘It’s that time already,’ said Jane.

‘I guess so honey,’ said Chris, pushing three pint sized bullet capsules into the tubes and pushing the button on the dispenser.

Fake writer changed it to- “On the next shelf … vials…test tubes…clear viscous liquids… bigger containers of blood.”

The capsules shot off up the tubes. Moments after, three capsules returned full of a red liquid.   

Fake writer changed it to- “filled with the same dark, blood-coloured substance as the smaller containers.”

The three of them gulped down the red cocktail in unison.  A line of escaping blood red serum dripped down Ruby’s chin.

 Fake writer changed it to- “a sound that turned her gut, of liquid glugging.”

‘Ahh,’ exclaimed the three of them, rejuvenated. 

Fake writer changed it to- “Mm-mm” & “Just a drop now… just to take the edge off”

I’ll stop there. I really don’t want to give too many spoilers away. Not before the lawsuits! Plus all my books are interlinked with meta-themes and metanarratives. I also don’t want to spoil the fake writers book for readers who she has betrayed and conned, or for the publishers and the massive global brand who commissioned the work. It isn’t their fault. They too, are victims of the con.

I’ll send this blog to the parties involved and I’ll state my peaceful and speedily settlement requirements.

Yours Sincerely,

M. W. Wolf Ltd.