Welcome to M.W. Wolf's Megaverse of fiction!

Embark on a riveting journey through the depths of imaginative dark fiction. Explore the intricate tapestry of genres woven by M.W. Wolf, each story bearing the hallmark of shadowy allure and profound reflection on the essence of humanity.

Dive into worlds where the boundaries of reality blur, and truths about the human condition are subtly unraveled. Let the allure of mystery and darkness guide your mind into uncharted territories of thought and emotion.

In the Megaverse of M.W. Wolf, every page holds a revelation, inviting you to delve deeper into the enigmatic realms that explore the depths of the human soul.

Introduction – M.W. Wolf’s Brand of Fiction

M.W. Wolf books cross many different genres, although they all contain dark elements, and all contain themes of implicitly examining the human condition. Trauma and examining human suffering, behaviours and the way we treat each other, are embedded into all the works of M.W. Wolf’s Megaverse of fiction. Themes, stories and references are linked throughout these written worlds, so the books will eventually end up being an interlinked, spaghetti-like universe, much like Stephen King and Brandon Sanderson have achieved. Nine of which are already written and interlink in implicit ways. A children’s illustrated book has also been written.

 

M.W Wolf’s Megaverse – Mission

To build a hybrid brand of adult dark fiction, commercial in style, Up-Market in allegories and philosophies, yet aspiring to develop a niche market whereby each book comments on, and challenges taboos, ideologies, oppression, authority, conformity and obedience, social, political and cultural fears and worries, whilst also tossing in a pinch of satire and sardonic commentaries. M.W. Wolf steps outside of itself, creating metanarratives and hyperrealities, posing questions of perceived reality, stepping out of the boundaries of expectations to frame itself and to ask the question what is reality? Are we ourselves characters inside of a metanarrative? Is our perceived reality a simulacrum of the previous beat of the tetrakaidecahedron horn torus of our pocket universe, our Inverted Organelle? And are books provided by the muse to act as shared subconscious memories and warnings? Is each book a simulacrum, a symbolic reality, or manifestation of universal consciousness outside of the simulation. The Inverted Organelle Theory is explained on this website and explored throughout the M.W Wolf works of fiction.

Literary Structure of M.W. Wolf’s Megaverse

M.W. Wolf’s Megaverse will contain several pocket multiverses which will eventually bleed into each other. A fun and reenergised way of cataloguing the different pockets of the M.W. Wolf brand, to get eyes on us, and to entice less common and non-readers back into books. Please note, I’m not trying to rewrite the genres of fiction writing, I’m cataloguing my work and managing the Megaverse to prevent implosion.

Heeding the astronomical success of what the comic book companies (Marvel & D.C), Disney and Universal Studios have achieved with transferring comics, tales and stories to numerous industries (toys, gaming, boardgames, merchandise, books, films), M.W. Wolf aims to take a giant pinch of that market. The nine books already written have crafted memorable comic book like characters and horror lore creatures and monsters worthy of fan culture and popular culture following, given the correct marketing and guidance from industry experts.

Plagiarism is bad!

M.W. Wolf isn’t yet even fully established as a brand and my work has been plagiarized more than once. Once by a global company who used my work to build an animated series. I may add, the series was pretty good. Others have taken single aspects of my work and passed it off as their own. If you can’t write, don’t write.

I’ll be taking legal action against direct plagiarism, in good time. Indeed I am actively monitoring it. The good thing about the digital age is we leave digital fingerprints everywhere, which is forensic evidence! Its hard enough for writers to break through, the last thing we need is established companies stamping on our toes.

Thus don’t steal, didn’t your mother teach you better than that? Ignore at your peril!

M.W. Wolf’s Megaverse of fiction is grounded in trauma writing.

People suffering from PTSD use journalling and trauma writing as therapy, to take agency over the past, to make sense of it and to gain control of it. A part of the problem with controlling or regulating trauma and it’s affects, is that trauma is fracturing and unpredictable. Trauma is tricky, it’s strange, it’s oblique and foreign to the mind. It manifests in myriads of ways, disorders, emotions and behaviours. Thus by writing it down, in journal logs or in fictional stories, the sufferer can begin to make sense of it and gain control over it. Writing also acts as exposure therapy at a safe distance, creating a bridge between ones suffering and their mind.